Showing posts with label museum. Show all posts
Showing posts with label museum. Show all posts

Wednesday, November 16, 2011

Archives of American Art, Smithsonian Institution

 

Archives of American Art, Smithsonian Institution

 

“…a repository of inestimable value, like the art world’s Fort Knox.”– contemporary art collector and friend of the Archives

Founded in Detroit in 1954 by Edgar P. Richardson, then Director of the Detroit Institute of Arts, and Lawrence A. Fleischman, a Detroit executive and active young collector, the initial goal of the Archives was to serve as microfilm repository of papers housed in other institutions. This mission expanded quickly to collecting and preserving original material and, in 1970, the Archives joined the Smithsonian Institution, sharing the Institution’s mandate—the increase and diffusion of knowledge.

The Archives today is the world’s pre-eminent and most widely used research center dedicated to collecting, preserving, and providing access to primary sources that document the history of the visual arts in America.

Our vast holdings—more than 16 million letters, diaries and scrapbooks of artists, dealers, and collectors; manuscripts of critics and scholars; business and financial records of museums, galleries, schools, and associations; photographs of art world figures and events; sketches and sketchbooks; rare printed material; film, audio and video recordings; and the largest collection of oral histories anywhere on the subject of art—are a vital resource to anyone interested in American culture over the past 200 years.

Yet the Archives is still growing! Each year, our curators travel the country seeking the papers of today’s artists, dealers, and collectors, and once new collections are acquired, professional archivists preserve the materials and create easy-to-use guides.

Founded on the belief that the public needs free and open access to the most valuable research materials, our collections are available to the thousands of researchers who consult original papers at our research facilities or use our reference services remotely every year, and to millions who visit us online to access detailed images of fully digitized collections.

Our resources serve as reference for countless dissertations, exhibitions, catalogues, articles, and books on American art and artists, and preserve the untold stories that, without a central repository such as the Archives, might have otherwise been lost.

Through collecting, preserving, and providing access to our collections, the Archives inspires new ways of interpreting the visual arts in America and allows current and future generations to piece together the nation’s rich artistic and cultural heritage.

Monday, August 29, 2011

The U.S. Army Heritage and Education Center (USAHEC)

 

U.S. Army Heritage Collections Online

To search all of our materials, click on the "Search All Collections" button.
To limit your search to specific portions of our collection, please click one of the three search options below.

All Catalogs

U.S. AHEC Collections
Home of the U.S. Army Military History Institute (USAMHI)

Research Catalog

Search our catalog for books, manuscripts, photographs, serials, microfilm, and more.

Resource Guides Finding Aids

Search for subject bibliographies & collections of research sources.

Resource Guides Finding Aids

Search for digitized photographs, manuscripts, military publications, oral histories, and audio/video material.

The U.S. Army Heritage and Education Center (USAHEC)

Friday, May 6, 2011

Encyclopedia of Chicago

 

Encyclopedia of Chicago

ENCYCLOPEDIA OF CHICAGO

The World Wide Web has influenced The Encyclopedia of Chicago from its inception in 1994. As we mapped out the project, we came to realize that the form of the encyclopedia–with its emphasis on multiple pathways through a complex body of knowledge rather than on a single narrative–resembled the structure of the Web. Of course, Web publication also appealed to us for other reasons rooted in our encyclopedic ambitions: by publishing on the internet, we could reach a potentially enormous worldwide audience; we could expand the work's size beyond the limitations defined by a single printed volume; and we could complement narrative and interpretation with audio and video primary sources in addition to text and still images. But the possibilities didn't stop there, for as the project grew, so did the Web; this brave new world soon featured interactive maps, split screens, and zooms. We hope these features will make the encyclopedia as lively and various a place to visit as the city itself, and tempt readers to explore its back alleys as well as its grand boulevards. But most importantly, we hope that the electronic version of The Encyclopedia of Chicago, like the print version (University of Chicago Press, 2004) will stimulate readers to think differently about Chicago–by walking new paths through its history.

Wednesday, June 9, 2010

SCETI Home Page

SCETI Home Page 

Over 12,000 images from various collections of rare books, manuscripts, papyri, photographs and sheet music are available for your viewing. Each collection has its own web site that is unrestricted in the interests of knowledge and learning.

SCETI Home Page

Wednesday, May 6, 2009

EXPLO.TV - Webcasts, Video Clips, and Podcasts from the Exploratorium

EXPLO.TV - Webcasts, Video Clips, and Podcasts from the Exploratorium 

Exploratorium Webcasts are live video or audio programs broadcast over the Internet. Our Webcasts are produced in the Phyllis C. Wattis Webcast Studio. If you live in the San Francisco Bay Area, consider attending a live event.
To view a Webcast online, return to this page on the date and time indicated.
Note that all times are listed in Pacific Time. You will need to have the required media player or plug-in (Flash, Real, Quicktime, or Windows Media) installed on your computer. See help for more info.

EXPLO.TV - Webcasts, Video Clips, and Podcasts from the Exploratorium

Saturday, February 14, 2009

The Museum of Broadcast Communications

The Museum of Broadcast Communications

The mission of the Museum of Broadcast Communications (MBC) is to collect, preserve, and present historic and contemporary radio and television content as well as educate, inform, and entertain the public through its archives, public programs, screenings, exhibits, publications and online access to its resources.

The MBC is an Illinois non-profit corporation that owns and manages two subsidiaries, Museum.TV and the National Radio Hall of Fame (NRHOF) and its website radiohof.org.

MBC Collection

Each subsidiary focuses on radio or television and the intellectual foundation of each entity is an encyclopedia—the Encyclopedia of Radio (EOR) and the Encyclopedia of Television (EOT).

Each entity has its own separate Steering Committee, made up of outside members as well as select MBC board members. Each Steering Committee reports to the MBC Board of Directors and each entity produces an annual fund raising benefit ---- the NRHOF Induction gala/broadcast held each November and MBC Salutes held each May.


MBC Collection

Since 1987 the MBC has offered free access for public learning to a diverse population, with the presentation of over 180 public programs, and through its online users around the world.

A Chicago-based professional staff and volunteers work on each subsidiary, with oversight of each entities' website provided by the MBC board's Online Committee.

The MBC opened to the public in June of 1987 at River City in Chicago’s South Loop neighborhood. From 1992 until 2003, the museum was located in the Chicago Cultural Center. It is currently raising funds to complete a new 62,000 square-foot home at State and Kinzie Streets in Chicago. Donations are welcome.

The Museum of Broadcast Communications

Tuesday, January 6, 2009

Labor Arts

Labor Arts

LABOR ARTS is a virtual museum; we gather, identify and display images of the cultural artifacts of working people and their organizations. Our mission is to present powerful images that help us understand the past and present lives of working people. AFL-CIO President John J. Sweeney has urged all international unions to cooperate in locating for display on Labor Arts "the treasure trove of cultural objects that have moved workers into action from the very inception of our movement."

Labor Arts